kristen – The Dinacopoulos Collection https://virtual-exhibits.library.queensu.ca/diniacopoulos-collection Wed, 28 Jun 2017 18:06:21 +0000 en-US hourly 1 https://wordpress.org/?v=4.8 140133225 Red Figure Loutrophoros https://virtual-exhibits.library.queensu.ca/diniacopoulos-collection/aa1888/ Wed, 22 Mar 2017 18:32:19 +0000 http://virtual-exhibits.library.queensu.ca/diniacopoulos-collection/?p=2539
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This impressive ancient Greek loutrophoros is the largest piece of the collection. Its impressive height supplies ample room for decorative features that could link it to wedding rituals. Despite this artifacts fragmentary appearance it is structurally reinforced by in filling keeping the one-hundred and fifty-five sherds in place.

These types of vessels are commonly thought to be used in weeding rituals, where the groom presents the water to the bride so that she may bathe and symbolically wash away her previous life to become a woman. This large vessel would have originally been constructed in sections on a potter’s wheel, after which the pieces were attached using slip.

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Conservation History

Initial Condition:

Several restoration efforts were attempted on this vessel during the 20th century. Although, no records exist, the reassembly was attempted using shellac. In many cases filling was also attempted, yet residue of the filling was also found on the interior of many sherds implying a hasty application. The surface painted decoration was discolored and faded.

Conservation Treatment

Due to the delicate nature of the fragments, and the hard residuals left by shellac not all of the staining was able to be removed from the sherds without damaging them. The shellac, and plaster were softened and then removed using a combination of ethanol and acetone. The fragments were then primed and adhered together in sections. The large areas of loss required filling with new plaster for its structural stability. The plaster in fillings were then finished by sanding and in painted with earth pigments. after completing the vessel, several remaining sherds were unattributed to this artifact.

Metadata

0. Identification: AA1888

1. Institution: Department of Classics; Art Conservation, Queen’s University  (Kingston, Ontario, Canada)

2. Identification references: AA1888

3.1. Category: storage object; archaeological artifact

3.2. Designation:  jug

3.3. Name: Red Figure Loutrophoros

3.4. Details: Diniacopoulos Collection

4.2. Description of iconography: female figures; meanders; lotuses, petals

4.3. Iconographic analysis: Allegories of funeral or marriage rites.

5.1. Material :clay; black slip

5.2. Technique:  hand thrown on wheel; sections adhered with slip; painted

6.1. Unit: cm

6.2. Height: h 26.5 cm (base)

6.5. Diameter: di 16.5 cm

6.7. Form: oval base; cylindrical stem; cylindrical body; recurved shoulder; oval concave neck; rounded lip; applied handle appendages

7.1. Manner of discovery: acquired by Vincent and Olga Diniacopoulos

7.2. Place of discovery: Mediterranean Basin

8.3. Region, style, workshop: Greek

9.1. Inscription or Mark “Type”:  abrasion

9.2. Position; exterior

9.3. Description of transcription: paint surface worn due to fragmentation or burial

10.2. Epoch: 500-300 BCE

11.1. Acquisition method: donation

11.2. Date of acquisition : 2001

11.3. Previous owner: Diniacopoulos, Olga

 

 

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Black Figure Skyphos https://virtual-exhibits.library.queensu.ca/diniacopoulos-collection/aa1718/ Wed, 22 Mar 2017 18:37:18 +0000 http://virtual-exhibits.library.queensu.ca/diniacopoulos-collection/?p=2542
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This highly fragmented vessel was reassembled to reveal extensive decorative features. The cup’s decorative aspects depicts several figures and sphinxes in a mythological or ritualistic scene. This suggests a decorative and utilitarian function. Furthermore, the incised detailing highlight the figural forms for a more realistic depth perception. These decorations also suggest a higher value, and perhaps type of use of this cup in ancient Greek society.

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Conservation History

Initial Condition

This cup’s sixty-one sherds had been re-assembled using shellac. The lower portion of the vessel is missing, along with some areas of loss on the body. The sherds also had surface accretions and fading painted decoration from poor storage or initial burial context. In addition, there have been various attempts to reconstruct the vessel, leaving residue, such as wax and masking tape.

Conservation Treatment

All prior restoration efforts left residue was removed chemically using acetone and ethanol, and mechanically. All sherds were cleaned of any dirt, while the edges were prepped for reassembly using Paraloid B72. To prepare the artifact for display, the vessel was completed with inpainted in fillings, ethanol brushed on surface to remove grease.

Metadata

0. Identification: AA1718

1. Institution: Department of Classics; Art Conservation, Queen’s University  (Kingston, Ontario, Canada)

2. Identification references: AA1718

3.1. Category: decorative object; archaeological artifact

3.2. Designation: cup

3.3. Name: Black Figure Skyphos

3.4. Details: Diniacopoulos Collection

4.2. Description of iconography: sphinxes; females; males

4.3. Iconographic analysis: Possible mythical allegory ?

5.1. Material: clay; black slip; red ochre

5.2. Technique: painted; hand thrown

6.1. Unit: cm

6.2. Height: h

6.5. Diameter: di

6.7. Form: recessed base; cylindrical body; concave lip; applied handle appendages

7.1. Manner of discovery:  acquired by Vincent and Olga Diniacopoulos

7.2. Place of discovery: Mediterranean Basin

8.3. Region, style, workshop: Greek

9.1. Inscription or Mark “Type” : N/A

9.2. Position: N/A

9.3. Description of transcription: N/A

10.2. Epoch: first quarter of 5th century BCE

11.1. Acquisition method: donation

11.2. Date of acquisition: 2001

11.3. Previous owner: Diniacopoulos, Olga

 

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Incised Black Figure Greek Bowl https://virtual-exhibits.library.queensu.ca/diniacopoulos-collection/aa1711/ Wed, 22 Mar 2017 18:39:48 +0000 http://virtual-exhibits.library.queensu.ca/diniacopoulos-collection/?p=2545
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Originally, this artifact would have had two handles, and most likely a stemmed foot making it a cup. Based on comparative analysis of its form, there are similarities in its overall design with other well-documented cups. Dating to the first quarter of the 5th century BCE, this ancient Greek vessel is complete with palmette motifs, and figurative mythological scenes. The black figures are accentuated by their incised detailing outlining their figures painted in black slip. These aspects could mean that this type of cup would have functioned as a decorative and utilitarian piece in ancient Greek life.

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Conservation History

Initial Condition

This vessel has the consistent features of many artifacts in the Diniacopoulos collection. It has previous restoration work with old adhesive that is now failing, and in fifteen fragments. This cup had been reassembled using shellac, but remained incomplete due to missing handles and base pieces. Surface damage included discoloration to the decorative features, and fading.

Conservation Treatment

To remove prior restoration work with shellac, pyridine was used. This chemical treatment did not harm the painted surfaces. For reassembly the sherds were primed with Paraloid B72 (5%) and then successfully reassembled with a stronger concentration of this adhesive. To complete the vessel’s rim, in filling and in painting were applied to simulate the original appearance.

Metadata

0. Identification: AA1711

1. Institution: Department of Classics; Art Conservation, Queen’s University  (Kingston, Ontario, Canada)

2. Identification references: AA1711

3.1. Category: decorative object; archaeological artifact

3.2. Designation: bowl or cup

3.3. Name: Incised Black Figure Greek Bowl

3.4. Details: Diniacopoulos Collection

4.2. Description of iconography: palmettes; female musicians; male figures; horses or centaurs

4.3. Iconographic analysis: Mythical allegories.

5.1. Material: clay; black slip

5.2. Technique:  painted; hand thrown

6.1. Unit: cm

6.5. Diameter: di Lip 2 cm wide, Reserved Band 7 cm wide

6.7. Form: missing base; open convex body; rounded lip; missing handle appendages ?

7.1. Manner of discovery:  acquired by Vincent and Olga Diniacopoulos

7.2. Place of discovery: Mediterranean Basin

8.3. Region, style, workshop: Greek

9.1. Inscription or Mark “Type”:  incision

9.2. Position: exterior

9.3. Description of transcription: incised black decorative figures

10.2. Epoch: First quarter of 5th century BCE

11.1. Acquisition method: donation

11.2. Date of acquisition: 2001

11.3. Previous owner: Diniacopoulos, Olga

 

 

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Egyptian Alabaster Storage Jar https://virtual-exhibits.library.queensu.ca/diniacopoulos-collection/aa1655/ Wed, 22 Mar 2017 18:42:15 +0000 http://virtual-exhibits.library.queensu.ca/diniacopoulos-collection/?p=2548
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This alabaster vessel is ancient Egyptian. It would have most likely served as a storage jug and had a functional purpose, rather than a decorative one. There are, however, painted motifs on the body of the jug in light brown, orange, and black. There are significant areas of loss on the body preventing a full analysis of the design, but it is most likely a lotus motif. This painted element could suggest the status of the owner, or the value of its contents.

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Conservation History

Initial Condition

Like many of the artifacts in the Diniacopoulos Collection at Queen’s University, this vessel had previously been restored and the 17 pieces reassembled. The adhesive used on this jug proved to be cellulose nitrate, after scientific analysis. This adhesive had failed, and upon accession was in fragmented state. These pieces showed signs of dirt, most likely from the original dig site, suggesting it was only reassembled and no other restoration treatments on the artifact occurred.

Conservation Treatment

Prior to reassembling the fragments of this vessel, the alabaster pieces required cleaning with acetone to remove the old adhesive. Once this was complete, the fragments were then cleaned carefully with erasure crumbs to remove surface dirt, but not damage the decorated areas of the vessel. Due to issues with structural integrity, in filling with Milliput epoxy putty was completed after the pieces were reassembled. The new adhesive used was Epo-Tek Epoxy. The last touch was to in paint the filling, and build a mount for display.

Metadata

0. Identification: AA1655

1. Institution: Department of Classics; Art Conservation, Queen’s University  (Kingston, Ontario, Canada)

2. Identification references :AA1655

3.1. Category: storage object; archaeological artifact

3.2. Designation:  jar

3.3. Name: Egyptian Alabaster Storage Jar

3.4. Details: Diniacopoulos Collection

4.2. Description of Iconography: lotus; flowering

4.3. Iconographic analysis: Figurative motif; unknown significance.

5.1. Material: alabaster; black pigment; light brown pigment, orange pigment

5.2. Technique:  painted; carved ?

6.1. Unit: cm

6.2. Height: h 32.0 cm

6.5. Diameter: di 62.0 cm

6.7. Form: cylindrical body; recurved shoulder; oval neck ?; handle appendages

7.1. Manner of discovery:  acquired by Vincent and Olga Diniacopoulos

7.2. Place of discovery: Mediterranean Basin

8.3. Region, style, workshop:  Egyptian

9.1. Inscription or Mark “Type”:  N/A

9.2. Position: N/A

9.3. Description of transcription: N/A

10.2. Epoch: ancient Egyptian dynastic period

11.1. Acquisition method:  donation

11.2. Date of acquisition: 2001

11.3. Previous owner: Diniacopoulos, Olga

 

 

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Egyptian Stone Bowl https://virtual-exhibits.library.queensu.ca/diniacopoulos-collection/aa1652/ Wed, 22 Mar 2017 19:06:28 +0000 http://virtual-exhibits.library.queensu.ca/diniacopoulos-collection/?p=2560
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The size of this bowl is small, and it is void of any surface decoration. It has a smooth finish on the exterior and interior, and a small dip in the rim. These qualities suggest a long history of utilitarian use for the day-to-day activities in ancient Egypt. The stone schist is a hard durable rock that would have ensured the long functional use of such an object.

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Conservation History

Initial Condition

The stone bowl upon arrival to the Art Conservation Department was in five pieces, with two small areas of loss along the base. On the exterior and interior surfaces an unidentified brown streaking had occurred. Prior to accession at Queen’s University, the bowl had undergone restoration work that included adhering the five pieces and filling in the areas of loss.

Conservation Treatment

After a thorough analysis of the surface stains, adhesive and filling, treatments were carried out to remove the restoration work. The adhesive proved difficult to remove, attesting to the permanence of the older restoration materials used. The brown streaks and a thin layer of coating on the surfaces of the pieces were removed with acetone and immersion in methylene chloride. The five pieces were then re-adhered with 10% Paraloid B72 with acetone. Lastly, the areas loss were filled with Hydrocal Dental Plaster, and in painted.

Metadata

0. Identification:AA1652

1. Institution: Department of Classics; Art Conservation, Queen’s University  (Kingston, Ontario, Canada)

2. Identification References:AA1652

3.1. Category: functional object, archaeological artifact

3.2. Designation: bowl

3.3. Name Egyptian: Stone Bowl

3.4. Details: Diniacopoulos Collection

4.2. Description of Iconography: N/A

4.3. Iconographic analysis: N/A

5.1. Material: schist; stone; med-dark gray

5.2. Technique:  carved ?

6.1. Unit: cm

6.2. Height: h 9.00 cm

6.5. Diameter: di 6.0 cm (base); 15.5 cm (mouth)

6.7. Form: circular base; open convex body; irregular rim ?

7.1. Manner of discovery:  Acquired by Vincent and Olga Diniacopoulos

7.2. Place of discovery: Mediterranean Basin

8.3. Region, style, workshop:  Egyptian

9.1. Inscription or Mark “Type”:  scratches

9.2. Position: interior; exterior

9.3. Description of transcription: brown streaks interior and exterior of surface

10.2. Epoch: Egyptian Early Dynastic period (3050-2686)

11.1. Acquisition method:  Donation

11.2. Date of acquisition:  2001

11.3. Previous owner: Diniacopoulos, Olga

 

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